
JOHN COSTER
Stories in the Dark

$ 7.00 USD (Electronic MP3 download only)
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In 1985, record buyers were treated to a masterpiece by this seasoned New England artist. John's captivating and pertinent lyrics and addictive melodies will make a believer of you. I've never heard a John Coster recording I didn't immediately love with all my soul. This album has been meticulously and thoroughly re-mastered for the first time for CD. A true labor of love by all concerned. Our special thanks to Lahri Bond for a magnificent job of adapting the L.P. graphics for modern format. - Joe Phillips


Stories in the Dark was named after a song I
wrote but never recorded. The title seemed to fit although somehow we never got
around to doing the song. The album captured the last days of the 80s Medicine
Band. John Hammond Sr. liked my songs on the Old Stones album and had invited me
to meet him in New York. I made the trip with my then wife, Maureen, who had
done some album promotion and sent Hammond my record. He was the grand old man,
a kind of professor emeritus of A&R, an old school aristocrat who had spent his
whole life finding and promoting music, from Robert Johnson to Springsteen. He
put me together with producer, Al Shackman, Nina Simone's long time music
director, who had a studio in Northampton. That's where the album began. The
record project became a vortex which picked people up and dropped them somewhere
else. We ended up in Ct. finishing up the project at the 19 in Glastonbury by
which time Al Shackman was gone from the area, and a small label had picked up
the project, paying for the additional recording and pressing. My own life had
changed completely. The album was really the result of all those gigs with The
Medicine Band of that time. It captured guitarist Ricky King at peak stride and
featured the first recordings I did with singing partner Susannah Keith, two
elements which really defined the sound in those years. The project became an
ongoing saga. Relationships broke up and formed, money came and went, clubs
opened up and folded, but the album project was always there demanding my
attention. It took way longer to finish than any other project I've ever done. I
wrote all those songs, but sometimes now it feels more as if the songs wrote me.
It does seem weird, after all this time, how relevant some of the implicit
political commentary feels now. Thanks to Joe and Wildcat for reviving the
project.
- John Coster 2011
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